从中国古代美学身心观看江南影像的当代书写
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教育部人文社会科学规划项目:法国国家“艺术影院”体系及其艺术教育功能的研究(18YJA760056)


Creation of Jiangnan Images from the Perspective of Somaesthetic in Ancient China
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    摘要:

    中国古代美学作为身心一元论的身体美学,将身体与世界理解为互相关联的情境,并将体验置于审美活动的中心,讲求感性的审美经验。文章引入了中国古代美学身心观这一视角作为阐释江南影像的理论框架,以期观照江南影像的当下创作与研究。在江南影像的空间建构层面,其体现了对中国古代美学儒道互补式的身心观的延续:一则它赋予了江南影像“以身为喻”的本体论的生命美学,使其找到了生动而鲜活的情感表达途径;二则为江南影像带来超越尘世与利害的浪漫精神,以构筑纯粹而自然的审美空间。在江南影像的叙事层面,作为诗性主体的人物是推动故事情节发展的内在动力,为江南影像带来复杂微妙的内涵和更具生命力的审美风格。两性对话是江南影像叙事结构的根源,也是诸多二元关系的生命元话语,为江南影像带来虚实相生的美感。

    Abstract:

    As somaesthetic of the monistic body and mind, ancient Chinese aesthetics understands the body and the world as interrelated situations, places experience at the center of aesthetic activities, and emphasizes perceptual aesthetic experience. This article introduces the perspective of the mind and body view of ancient Chinese aesthetics as the theoretical framework for interpreting Jiangnan images, hoping to observe the contemporary creation and research of Jiangnan image. At the level of spatial construction of Jiangnan images, it embodies the continuation of the complementary views of Confucianism and Taoism in ancient Chinese aesthetics. First, it endows Jiangnan image with the ontological life aesthetics of “being as metaphor”, and finds a vivid and dynamic way of emotional expression; second, it brings Jiangnan images a romantic spirit that transcends the world and interests to construct a pure and natural aesthetic space. On the narrative level of Jiangnan image, the characters as poetic subjects are the internal driving force to promote the narrative, bringing complex and subtle plot connotations to Jiangnan image and a more vital aesthetic style. The dialogue between the two sexes is the root of the narrative structure of Jiangnan image, and it is the life meta-discourse of many dual relations among them, which brings the beauty of virtual reality to Jiangnan image.

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王方,陈嘉美.从中国古代美学身心观看江南影像的当代书写[J].重庆邮电大学学报(社会科学版),2021,33(1):134-142

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  • 收稿日期:2020-09-10
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  • 在线发布日期: 2021-01-25

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